瘋狂的騙子 電影

作為導演Spike Lee的第三部作品，《為所應為》向觀眾展示了其純熟的敘事能力，尤其是在群像的把握上頗具大師風范。這里有個著名段子，片子當年入圍了戛納主競賽單元，信心滿滿的Spike Lee認為摘下金棕櫚已是必然，不料最終大獎花落Steven Soderbergh的處女作《性，謊言和錄像帶》，這讓Spike Lee頗為不滿，揚言要把評委會主席Wim Wenders的名字刻在棒球棍上。言歸正傳，影片一開始就用一組鏡頭帶出了幾個主要人物，包括每天將街頭瑣事盡收眼底的電臺主持Love Daddy，販賣黑人領袖照片的弱智青年Smiley，靠打工度日的黑人兄妹Mookie&Jade，鐘情于一種啤酒的黑人老頭Mayor，披薩店父子Sal&Pino&Vito等等，就像好作家只用寥寥數筆就能勾勒出人物性格一樣，Spike Lee透過簡單的表象呈現完成了深入肌理的角色塑造，進而為后來的矛盾埋下伏筆。
故事的背景是在紐約布魯克林的黑人區，這里聚集了大量黑人，亞洲人，意大利移民，以及波多黎各人等等，是個名符其實的多元化街區。然而由于文化上的差異沒有足夠的包容度來承載，就造成了不同種族間的相互誤解

The screenplay is phenomenal. The buildup is nuanced and sophisticated, and the result is a stunning 30-minute climax. The plot is wildly unpredictable, the dialogues are well-written, and character development is quite impressive given the number of characters. Spike Lee is probably the best black director of all time. The direction is suspenseful and economic. The ensemble cast give brilliant performances, particularly the one who plays Sal.

好看。仔細想想我可能沒看過黑人電影。前半部有點人類學研究的味道，群像刻畫有點意思，沒什么情節也不影響吸引人，白人警察、黑人群體、意大利店主和韓國小商人緊張感一點點堆積，個人代入感強的是韓國人，語言不通，因為一年開店又并非主流被人嫉妒而戰戰兢兢，后來發現這只是意大利店主的一個影子，意大利人哪怕在這里25年也不影響他們的異質性，雙方有真正的認可嗎？沒有吧，只是覺得這里能掙錢，這里能吃披薩。到沖突開始才發現這更像歷史，晚清的教案沖突教民研究，甚至有點太平天國白蓮教

Spike Lee films a one-day story in Brooklyn, a black metropolis. What interesting is that it is not a story about gangs, drugs, but an ordinary story about neighborhood and daily life, although it ends with a unordinary riot and looting. We all know a good story should have contradiction even confrontation. In this story it is not a confrontation as we imagine between black and whites, but black and immigrants, no matter the Italian, or the Korean, who are actually the minority in this community or in the American. Another interesting thing is that a number of scenes in the film are linked with real incidents and issues happened before, eg, the place Pizzaria, the mayoral campaign, etc. Scholars tend to interpret this as expression of Spike Lee’s political view.

為所應為：全程高能！The best film ever about race
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