為所應為電影分析

這種事真的很怪。
你可以在意大利因為超市收銀員愛搭不理的態度火冒三丈，然后回到旅館里說“我覺得黑人看起來都好臟”；你可以對著白人大喊大叫“u can't call me nigger”，又對著亞洲人說“plz open up your eyes”。這種事真的很怪，就像它反映了人的所有弱點：從眾、固執、刻毒、盲目——最重要的是自私，不到自己身上永遠不知道什么叫痛。
這就是我對種族歧視所認識的一切，但又遠不止如此。這大概是我寫這篇評論的原因，不單在于電影本身，它給了我思考的契機，讓我想記錄自己現階段的想法

Spike Lee films a one-day story in Brooklyn, a black metropolis. What interesting is that it is not a story about gangs, drugs, but an ordinary story about neighborhood and daily life, although it ends with a unordinary riot and looting. We all know a good story should have contradiction even confrontation. In this story it is not a confrontation as we imagine between black and whites, but black and immigrants, no matter the Italian, or the Korean, who are actually the minority in this community or in the American. Another interesting thing is that a number of scenes in the film are linked with real incidents and issues happened before, eg, the place Pizzaria, the mayoral campaign, etc. Scholars tend to interpret this as expression of Spike Lee’s political view.

由于歷史的原因，美國大量黑人的處境始終是低人一等的，他們給人的感覺就是充滿暴力和犯罪。長期的隔閡致使他們對于白人也是處于敵對狀態，尤其是在黑人聚集的社會，基本上沒有白人生存的空間。片中有個鏡頭，砸完披薩店以后，黑人們轉向對面韓國人開的雜貨店，韓國人爭辯自己也是“黑人”，不是白人，竟然被放過，這就說明黑人固有思維里對于有色人種還是相對寬容一些。

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