<strike id="1hzxl"><i id="1hzxl"><cite id="1hzxl"></cite></i></strike><strike id="1hzxl"></strike>
<strike id="1hzxl"></strike>
<span id="1hzxl"><dl id="1hzxl"></dl></span><strike id="1hzxl"><dl id="1hzxl"></dl></strike>
<span id="1hzxl"><video id="1hzxl"></video></span>
<strike id="1hzxl"><dl id="1hzxl"></dl></strike>
<strike id="1hzxl"><dl id="1hzxl"><del id="1hzxl"></del></dl></strike>
<strike id="1hzxl"></strike>
<span id="1hzxl"><dl id="1hzxl"><ruby id="1hzxl"></ruby></dl></span>
<span id="1hzxl"><video id="1hzxl"><ruby id="1hzxl"></ruby></video></span>
<ruby id="1hzxl"></ruby>
<strike id="1hzxl"></strike>
<strike id="1hzxl"></strike><strike id="1hzxl"></strike><ruby id="1hzxl"><video id="1hzxl"><ruby id="1hzxl"></ruby></video></ruby><strike id="1hzxl"></strike>
<span id="1hzxl"><dl id="1hzxl"><ruby id="1hzxl"></ruby></dl></span>
<strike id="1hzxl"></strike><span id="1hzxl"><video id="1hzxl"></video></span>
<strike id="1hzxl"></strike><span id="1hzxl"></span>
和解什么意思
導演:
讓-馬里·斯特勞布
演員:
Heinrich Hargesheimer,Carlheinz Hargesheimer,Martha Staendner,達尼埃爾·于伊耶,Henning Harmssen,Ulrich Hopmann,Joachim Weiler,Eva-Maria Bold,Hiltraud Wegener

更新:2024-10-29 02:16

首映:1965-07-04

年代:1965

時長:55分鐘

語言:德語

評分:7.7

觀看數:26800

來源網:三年網

劇情概要:

The subtitle of Jean Marie Straub and Dani è le Huillet's first feature film in 1965, "A Place where Only Violence Can Help Violent Rule," hinted at the intense political program sparked by their rigorous aesthetic. This movie is set in Cologne, using Heinrich Bell's novel "9:30 Billiards" as an excuse. They attribute it to some naked events and shoot the movie from a confrontational perspective, similar to Bartok's music with decorative soundtracks. The most subtle clues are accompanied by complex flashbacks in the story. Middle aged Robert F ? hmel told a young hotel attendant about the persecution during the Third Empire; His elderly father Heinrich was an architect famous for the local monastery. He recalled the militarism of World War I, when his wife Johanna got into trouble for insulting the emperor. The third generation F ? hmel is considering architecture, and just as Robert's late wife's exiled brother returned, their former tormentor, now a West German official, is participating in a veterans' celebration parade. Straub and Whitlett made the hierarchy of history live in the present tense, and they made harsh judgments about it. The oppressive performance and redundant and tense visual rhetoric indicate a state of moral crisis, as well as the style and substantive response it requires.
線路F1

好看的推薦

更多
2016愛爾蘭喜劇片
中文字幕亚洲综合久久菠萝蜜